With its wonderfully evocative title, this is the album which catapulted Hildegard of Bingen to modern fame. One of the greatest creative personalities of the Middle Ages—poet, naturalist, visionary, and composer—she wrote 70 spiritual songs for her convent in Germany. Single melodic lines imagined on a magnificent scale, they range from simple syllabic settings, to elaborate, spiraling melodies mirroring the mystical imagery of Hildegard’s texts. Gothic Voices perform in a resonant acoustic so that notes hang in the air and form their own “heavenly” harmony. Sometimes underpinned by the sustained drone of a medieval “symphony” (hurdy-gurdy), the singing rises up pure, clear, and ecstatic. Time stands still as serenity and spirituality combine in music which still has the power to captivate after nearly 1000 years.
- English Consort of Viols, James Bowman, James Griffett, Mark Brown, Paul Esswood & Pro Cantione Antiqua
- Stephen Darlington & The Choir of Christ Church Cathedral, Oxford
- Academy of Ancient Music, The Choir of the AAM & Richard Egarr
- The Sixteen & Harry Christophers
- Catherine Bott, New London Consort & Philip Pickett
- Capella Antiqua München, Huelgas Ensemble, Lutz Kirchhof & Paul Van Nevel
- Capella Alamire, Noel Bisson, Peter Urquhart & Woodman Consort of Viols