16 Songs, 52 Minutes

EDITORS’ NOTES

The discography that Jason Aldean has built since the mid-aughts reflects a distinctly modern country-music mindset; it's more important to him to remain a reliable arena rocker than mess with radical reinvention. From his very first recordings, the Georgia-bred superstar has stuck with his longtime producer Michael Knox and his core backing band, merging hard country with metal muscle, minus any theatrics. Aldean’s fourth album, 2010’s My Kinda Party, featured beats invoking old-school hip-hop influence, something that’s become a consistent element in his music, as it has for many current country hitmakers. On his new album—titled 9, both for where it falls in the chronology and for the number he wore on the baseball jerseys of his youth—he sounds a bit more seasoned working in familiar modes.

The R&B-leaning “Got What I Got” begins with brittle beats, icy effects, and surprisingly supple vocal phrasing before the guitar shredding takes it into power-ballad territory. Aldean tells Apple Music that the song makes him feel “like I'm in an eighth-grade dance, listening to Boyz II Men.” “I Don’t Drink Anymore” combines similar sonic elements with plangent steel guitar. During “Tattoos and Tequila,” his singing is clenched with angst against an aggressive guitar attack, and the riffs are equally blistering on the swaggering “We Back”—one of the final songs to make the cut. "We had ballads, we had midtempos, we had these cool things, but we didn't have that just straight-down-your-throat rock ’n’ roll thing," Aldean tells Apple Music. "And here it was, and it was like, 'Okay, that's it. Album's done.'"

Apple Digital Master

EDITORS’ NOTES

The discography that Jason Aldean has built since the mid-aughts reflects a distinctly modern country-music mindset; it's more important to him to remain a reliable arena rocker than mess with radical reinvention. From his very first recordings, the Georgia-bred superstar has stuck with his longtime producer Michael Knox and his core backing band, merging hard country with metal muscle, minus any theatrics. Aldean’s fourth album, 2010’s My Kinda Party, featured beats invoking old-school hip-hop influence, something that’s become a consistent element in his music, as it has for many current country hitmakers. On his new album—titled 9, both for where it falls in the chronology and for the number he wore on the baseball jerseys of his youth—he sounds a bit more seasoned working in familiar modes.

The R&B-leaning “Got What I Got” begins with brittle beats, icy effects, and surprisingly supple vocal phrasing before the guitar shredding takes it into power-ballad territory. Aldean tells Apple Music that the song makes him feel “like I'm in an eighth-grade dance, listening to Boyz II Men.” “I Don’t Drink Anymore” combines similar sonic elements with plangent steel guitar. During “Tattoos and Tequila,” his singing is clenched with angst against an aggressive guitar attack, and the riffs are equally blistering on the swaggering “We Back”—one of the final songs to make the cut. "We had ballads, we had midtempos, we had these cool things, but we didn't have that just straight-down-your-throat rock ’n’ roll thing," Aldean tells Apple Music. "And here it was, and it was like, 'Okay, that's it. Album's done.'"

Mastered for iTunes
TITLE TIME

Ratings and Reviews

3.9 out of 5
240 Ratings

240 Ratings

Craig1122334455 ,

Rinse, Wash & Repeat More of the same

Jason seems to have a template for songs he selects for his Albums. It makes for a good music but nothing great. Haven’t heard the Whole album but first 4 tracks is just same style as rest of his stuff nothing new

G money 67 ,

This isn’t new

I’m sorry but literally every Jason Aldean song is the same.

IndianaCountryGuy ,

I can hear the effort....kinda?

This album would be so much better without the ridiculous click/snap/clap tracks. IMO, the song ‘One For The Road’ blows out every other song on this album. Why? Because it’s original sounding. It’s country music. It’s the old Jason Aldean that so many of his fan miss. The reason he plays a lot of his old songs live is because it’s what people like. I don’t know why he keeps insisting on or trying to force the ‘pop’ sounds. It’s driven numerous country careers in to the dirt. Lose the electronic crap and it’s almost there. The song ‘Cowboy Killer’ had unbelievable potential to be a great country ballad but, unnecessary, over use of the auto tuning and click tracks ruined a great piece of work. Altogether, it is not too horrid but, it’s not great by any means.

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