11 Songs, 1 Hour 10 Minutes

EDITORS’ NOTES

Irish troubadour Damien Rice came out of virtually nowhere in 2003 with a debut album O that stunned listening audiences and discerning critics with its moody melodicism and earnest poetry. His long-awaited follow-up 9 is another melodically strong, romantically hypnotic collection, its only sin being its inability to be the out-of-left-field surprise of the debut. You can only jump out of the box once, after all. Rice stays true to his muse throughout, resisting the temptation to use his newfound celebrity as a soapbox or a launching pad for a grab at a diverse, mainstream audience. His pulse quickens for the greater noise of "Me, My Yoke & I," but these are primarily quiet, reflective tunes that prefer whispers to screams, recorded on a "home studio" in various locations. He recalls the "living room" intimacy of Joni Mitchell's piano-based early '70s work. Rice gently plucks his acoustic guitar, lightly tinkles the piano, and harmonizes with an unrushed casual demeanor that demands the listener slow down and lean forward. Even the gentle orchestration behind "Gray Room" is kept small and intimate. But listen closely to "Dogs" or "Accidental Babies" and revel in the simple elegant aura.

Parental Advisory: Explicit Lyrics.

EDITORS’ NOTES

Irish troubadour Damien Rice came out of virtually nowhere in 2003 with a debut album O that stunned listening audiences and discerning critics with its moody melodicism and earnest poetry. His long-awaited follow-up 9 is another melodically strong, romantically hypnotic collection, its only sin being its inability to be the out-of-left-field surprise of the debut. You can only jump out of the box once, after all. Rice stays true to his muse throughout, resisting the temptation to use his newfound celebrity as a soapbox or a launching pad for a grab at a diverse, mainstream audience. His pulse quickens for the greater noise of "Me, My Yoke & I," but these are primarily quiet, reflective tunes that prefer whispers to screams, recorded on a "home studio" in various locations. He recalls the "living room" intimacy of Joni Mitchell's piano-based early '70s work. Rice gently plucks his acoustic guitar, lightly tinkles the piano, and harmonizes with an unrushed casual demeanor that demands the listener slow down and lean forward. Even the gentle orchestration behind "Gray Room" is kept small and intimate. But listen closely to "Dogs" or "Accidental Babies" and revel in the simple elegant aura.

Parental Advisory: Explicit Lyrics.
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Ratings and Reviews

4.7 out of 5
258 Ratings

258 Ratings

NYCLV ,

"9" is "9" and "O" is "O"

I do not understand why people want an artist to keep releasing the same record time and time again. You love "O", that is great, listen to it. I don't want to hear "O" parts 1,2 and 3 with each album released. Ryan Adams gets crucified for this as well. "Why can't his new album be more like 'Heartbreaker?'"

With that said, on to the review.

Mr. Rice has taken what he does and made it bigger and better. All the compositions on this record are on a grander scale with a lot more instrumentation. Piano (like his live show) has really been injected into his songs and is very welcome. Lisa adds her anti-Damien voice when needed and is sparingly used...but to Damien's advantage.

One thing I can not fathom is how he comes up with his melodies. So unconventional and fresh...especially on Dogs and Rootless Tree. Coconut Skins is probably the most Damien Rice song on this record and also Dylan-esque in it's vocal style.

The one thing that stands out on this one is his anger. Seems he had a lot pent up inside and used this record as a release. I bet he comes back with a softer lighter record for his next outing. But, as for "9", it is a great progression in what I hope is a long and illustrious career.

Ehh Canada Ehh ,

Grows on you...

I tend to agree with some of the other reviews. This album is not nessesarily worse than "O" , It's just different. All of the tracks are good in their own way, but don't go into this album expecting it to be like "O". We see a different side of Mr. Rice in "9"; he's darker, he has more emotion, and frankly, he swears more. In my opinion, its a great sophomore album. Great work on "9".

ickyvicky0610 ,

Damien Rice Grows As A Song Writer

This album took me some time to get used to because I was so accustomed to Rice's soft, romantic voice from "O." While songs like "Accidental Babies" and "The Animals Were Gone" give us the same Damien, he shows us some anger and frustration in "Rootless Tree" and "Me, My Yoke, and I" which I found very compelling. We only got a taste of this on "O"s hidden track "Prague" and I'm glad he develops this sound in "9." It was good to see a different side of him. I also love that "Coconut Skins" portrays the happy/carefree tone of his live shows. "9" is a very solid album and even though there is no stand-alone song like "Volcano" it still has the charm that makes you want to keep listening.

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