{"x":1614715791159,"d":[{"id":"1457087306","type":"albums","href":"/v1/catalog/us/albums/1457087306?l=en-US","attributes":{"artwork":{"width":3000,"height":3000,"url":"https://is5-ssl.mzstatic.com/image/thumb/Music113/v4/0a/24/98/0a2498f4-214f-f85e-403b-cd7e0a045b6a/Tycho_-_Easy_-_Single_-_3000x3000_300dpi.png/{w}x{h}bb.{f}","bgColor":"202037","textColor1":"c9e543","textColor2":"89d346","textColor3":"a7bd40","textColor4":"74af43"},"artistName":"Tycho","isSingle":true,"url":"https://music.apple.com/us/album/easy-single/1457087306","isComplete":true,"genreNames":["Electronic","Music"],"trackCount":1,"isMasteredForItunes":false,"releaseDate":"2019-04-17","name":"Easy - Single","recordLabel":"Mom+Pop/Ninja Tune","editorialArtwork":{},"upc":"858275056273","copyright":"℗ 2019 Mom+Pop/Ninja Tune","playParams":{"id":"1457087306","kind":"album"},"isCompilation":false,"offers":[{"buyParams":"productType=P&price=1290&salableAdamId=1457087306&pricingParameters=PLUS&pg=default","type":"buy","priceFormatted":"$1.29","price":1.29},{"buyParams":"productType=P&price=0&salableAdamId=1457087306&pricingParameters=SUBS&pg=default","type":"subscription","priceFormatted":"$0.00","price":0}]},"relationships":{"artists":{"href":"/v1/catalog/us/albums/1457087306/artists?l=en-US","data":[{"id":"119111355","type":"artists","href":"/v1/catalog/us/artists/119111355?l=en-US","attributes":{"name":"Tycho","url":"https://music.apple.com/us/artist/tycho/119111355"}}]},"record-labels":{"href":"/v1/catalog/us/albums/1457087306/record-labels?l=en-US","data":[]},"tracks":{"href":"/v1/catalog/us/albums/1457087306/tracks?l=en-US","data":[{"id":"1457087307","type":"songs","href":"/v1/catalog/us/songs/1457087307?l=en-US","attributes":{"previews":[{"url":"https://audio-ssl.itunes.apple.com/itunes-assets/AudioPreview123/v4/12/44/6a/12446ad9-7d90-e12b-d3aa-fc1543619d1b/mzaf_9125731140475616365.plus.aac.ep.m4a"}],"artwork":{"width":3000,"height":3000,"url":"https://is5-ssl.mzstatic.com/image/thumb/Music113/v4/0a/24/98/0a2498f4-214f-f85e-403b-cd7e0a045b6a/Tycho_-_Easy_-_Single_-_3000x3000_300dpi.png/{w}x{h}bb.{f}","bgColor":"202037","textColor1":"c9e543","textColor2":"89d346","textColor3":"a7bd40","textColor4":"74af43"},"artistName":"Tycho","url":"https://music.apple.com/us/album/easy/1457087306?i=1457087307","discNumber":1,"genreNames":["Electronic","Music"],"hasTimeSyncedLyrics":false,"durationInMillis":207002,"releaseDate":"2019-04-16","name":"Easy","isrc":"GBCFB1900052","hasLyrics":false,"albumName":"Easy - 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With Simulcast, a sort of instrumental companion album, the Bay Area producer comes full circle. “I wanted to show those songs through two different lenses: the vocal and the instrumental,” he tells Apple Music. “I wanted to show how a single core concept can evolve into two completely different things. It proves how powerful the process is in shaping the song.” Hansen started writing Simulcast while he was touring Weather and reflecting on the past decade of his career. “I felt this urge to restart the whole story,” he says, “to go back to the way I produced music when I first started, as a way to clear the slate. Simulcast is my transition into a new phase.” Some of the songs here are identical to their counterparts on Weather, some have simply lost the vocals, and some morph into something entirely new. “I see the albums as two paths to the same place,” he says—like two routes on a hike. “There are little side trails, new terrain, and a few common landmarks that feel familiar.”
\nWeather\n“This song closes the last album, and I wanted it to be the jumping-off point for this album. To me, it always felt like both a beginning and an end. So now it’s both. After you listen to Weather, you come back to this familiar place to find out what's next. If you wanted, you could delete the last song or the first song of either record and sandwich them together.”
\nAlright\n“I felt like there was something beautiful about the simplicity of ‘For How Long,’ so I wanted to keep this iteration to the point. But because it was one of the first songs I’d written for Weather, I had all these different versions and new ideas. The challenge with ‘Alright’ was finding a way to integrate those ideas into an instrumental version that still felt clean.”
\nOuter Sunset\n“‘Skate’ was meant to be a very stripped-down, delicate arrangement, but I always felt the main chord progression had an interesting rhythm that would pair nicely with a dirty, distorted drum break. This version has that. Once I added that in, I rewrote the lead guitar parts to give the song more movement.”
\nInto the Woods\n“My whole career, people have told me how much my music evokes nature—even people who haven't seen the graphics in my live show. And over time, I started to think, ‘Wow, yeah, they’re right, this whole time I really have been referencing the ocean or the desert.’ ‘Into the Woods,’ though, was the first time I deliberately tried to soundtrack a specific experience. My friend and I do these long overnight hikes through the Redwoods, and it’s all bright and clear until you get into the forest. There, it’s dark, foreboding, and surreal, and can be pretty scary at night. To me, this song embodies that whole journey: coming to terms with your fears, having this psychedelic experience with nature, and finding your way out.”
\nEasy\n“I wanted to get back to my old breakbeat style and let the drums carry the song. I wrote this at a time when I was trying to overcome all the built-up anxiety from those whirlwind first eight years of Tycho. For this album, I wanted to focus on my mental and physical health—to get into a sustainable space where I could do this and it wasn't killing me every time. For whatever reason, this song just flowed. It made for a great entry point into this record’s process, because it made me say, 'Just relax, don’t overthink it.'”
\nPCH\n“I've lived in San Francisco for 14 years, and during the time that I made this album in particular, I spent most of the mornings surfing at Ocean Beach. I park on PCH and put on my wetsuit, and it's become a big part of my ritual. It shaped what this record meant to me. I also wanted to show how you can take a pop-forward song like ‘Pink & Blue’ and completely change the tone and mood by removing the vocal and adding a lead. Suddenly, it’s brand new. I thought that was a fascinating exercise.”
\nCypress\n“This song’s counterpart, ‘Japan,’ was inspired by my very first synthesizers. They were Japanese and from the ’90s and had a specific lo-fi analog sound. Eventually, I visited Japan and spent time in this forested region outside of Tokyo where there’s this super high contrast of vibrant green trees and dark red shadows. Everything, from the shapes to the sounds to the colors, felt simultaneously very familiar and also completely foreign. I wanted to speak to that quiet disorientation.”
\nStress\n“When I was working with Hannah [Cottrell, the vocalist on Weather], I’d send her WAV files named ‘something.wav.’ The original file for this song’s counterpart was something like ‘trouble.wav,’ and she decided to call it ‘No Stress.’ I thought, ‘Oh, that's a nice sentiment.’ But deep down, I guess that song always felt like tension to me. For this version, I wanted to turn back to the core meaning and be very literal, to express what stress sounds like to me. Because really, that’s the driving force behind a lot of my music. At some point, you can't disconnect the anxiety from the art.”","short":"“I wanted to show how a single concept can evolve into two different things.”"},"isCompilation":false,"offers":[{"buyParams":"productType=P&price=7990&salableAdamId=1492178215&pricingParameters=PLUS&pg=default","type":"buy","priceFormatted":"$7.99","price":7.99},{"buyParams":"productType=P&price=0&salableAdamId=1492178215&pricingParameters=SUBS&pg=default","type":"subscription","priceFormatted":"$0.00","price":0}]}},{"id":"1461523692","type":"albums","href":"/v1/catalog/us/albums/1461523692?l=en-US","attributes":{"artwork":{"width":3000,"height":3000,"url":"https://is5-ssl.mzstatic.com/image/thumb/Music123/v4/8c/09/ab/8c09ab4b-b7ac-7270-6ba6-10c94446f464/Tycho_-_Weather_-_Digital_Cover_3000x3000_300DPI.jpg/{w}x{h}bb.{f}","bgColor":"32252e","textColor1":"d9b482","textColor2":"e5a15e","textColor3":"b89871","textColor4":"c18854"},"artistName":"Tycho","isSingle":false,"url":"https://music.apple.com/us/album/weather/1461523692","isComplete":true,"genreNames":["Electronic","Music"],"trackCount":8,"isMasteredForItunes":false,"releaseDate":"2019-07-12","name":"Weather","recordLabel":"Mom+Pop","editorialArtwork":{"storeFlowcase":{"width":4320,"height":1080,"url":"https://is3-ssl.mzstatic.com/image/thumb/Features113/v4/0c/00/fa/0c00fa77-1c91-2c80-27e3-9eb68e2da2ab/source/{w}x{h}bb.{f}","bgColor":"71644a","textColor1":"ffffff","textColor2":"faf6ef","textColor3":"e2e0da","textColor4":"ded9ce"},"subscriptionHero":{"width":4320,"height":1080,"url":"https://is4-ssl.mzstatic.com/image/thumb/Features113/v4/df/1c/08/df1c08a6-ac50-4f34-8308-978f40988e58/source/{w}x{h}bb.{f}","bgColor":"71644a","textColor1":"faf6ef","textColor2":"f0efec","textColor3":"dfd9ce","textColor4":"d7d3cc"}},"upc":"858275056242","copyright":"℗ 2019 Mom+Pop/Ninja Tune","playParams":{"id":"1461523692","kind":"album"},"editorialNotes":{"standard":"There’s a sense of continuity that runs through the music that San Francisco’s Scott Hansen makes as Tycho. But Weather, his follow-up to 2016’s Epoch, marks a major shift: It’s his first album to feature vocals—not just massaging them into the mix, but setting them front and center. That’s hardly unusual for Tycho’s brand of chill, but where his peers might recruit a rotating cast of featured singers, Weather’s eight vocal tracks are all the work of just one person: Saint Sinner, a.k.a. Hannah Cottrell—a Texas singer-songwriter with very little on record until now. Hansen had wanted to work with a singer for years, but nothing had ever clicked. With Cottrell, things were different, and before long a handful of demos had turned into an entire album. \"I just kind of followed her on her trip,” Hansen tells Apple Music. “I wanted this to be somebody nobody had ever heard of. I was just like, this isn't a feature, this is literally what Tycho is right now.” Through each of the album's tracks, Hansen tells us more about that transformation.
\n\"Easy\"\n\"I made the instrumental version that I was really happy with. But then, after I’d worked with Hannah on all the vocal sessions and we were pretty much done, I pulled out all these unused vocal samples, and I thought it would be cool to work with her voice like I used to work with voices—like a sampler, like an instrument. It made me realize, this is a great jumping-off point as the first track. You introduce vocals and lull people into a false sense of security. They're like, 'Oh, he’s just going to use them like he used to. Cool, okay, what a relief.' And then I hit them over the head with 'Pink and Blue.'”
\n\"Pink and Blue\"\n\"When I didn’t know if there were going to be vocals or not, I really struggled, because I was like, what is this? How do you make this into a compelling instrumental? There’s something really cool about this song, but it feels like it’s missing something big. And slowly, it was like, it’s probably vocals. The second she sang, it was like, oh yeah, that’s what it was missing. Once all this stuff started coming together and I started hearing what it was going to be, there was definitely this element of, all right, this song wants to be huge and big and powerful. So it was like, okay, I gotta step this up.\"
\n\"Japan\"\n\"This was the stylistic center of what I had been working towards before the vocals—this grainy, digital era of synthesizers. That was the stuff that I had access to when I first started making music—low-quality digital stuff from the early ’90s and late ’80s. I moved to San Francisco in 1995, and it was my first time living outside my parents’ house. I was going to University of San Francisco, so I spent a lot of time in Japantown. I'm from a small town outside of Sacramento, so I'd never had sushi; I didn't really know much about Japan, or even San Francisco, for that matter. I had just started listening to electronic music. My world was opening up, and that just happened to be where we hung out and skated all day. So this song is speaking to the very early beginnings of what I thought the outside world was like, outside of my small reality in Fair Oaks, California. I later grew an affinity for Japan—I've been there several times since and love the place, and draw a lot of inspiration, especially aesthetically, from their culture.”
\n\"Into the Woods\"\n\"This one is pure Tycho. I wanted to make the most Tycho song ever. I’ve spent lot of time exploring external spaces, just to challenge myself or push myself in a different direction. But I always wanted to revisit the idea: What if I’d just stayed in my bedroom making electronic music all these years, and never really tried to do anything outside of that? What if there’s some parallel universe where Past Is Prologue just kept going?\"
\n\"Skate\"\n\"Every album since Dive, I try to have one song where I just sit down and write it on a guitar and there isn’t much else going on. Most of those I dress up with synths and put all these electronic elements around them, but at their core they're just a pretty, sad guitar song. That’s what ‘Skate' started out as, and it was going to be this really simple closer. Then, once Hannah sang over it—that was the first song we worked on together—it completely transformed. I tried a couple of times to dress it up the way that I used to—put a kick drum in it, did a few things—but everything I did was like, just don't touch this, leave it, let it be what it is.\"
\n\"For How Long\"\n“‘Japan' is the stylistic center of the album, but this is the first song that I wrote. I have this pile of ideas on my computer, all these comps that I bounce, like, oh, that’s a cool idea, maybe I’ll come back to that. Then there’s a critical mass where it’s like, whoa, there’s enough stuff here [for an album]. Or at least a couple of strong ideas that I could use as jumping-off points. This was the moment—when I wrote this song, it just kind of clicked. It’s like, okay, this is the path that I follow for this record.”
\n\"No Stress\"\n\"This was the first and only song I wrote just for Hannah. All the other songs, if you muted the vocals and added a couple of elements, that’s essentially the instrumental version that existed. I started learning how vocals fit into songs and I was like, this might be very different if I’m not forcing her into a preexisting space. I sent her the demo, which was really sparse and stripped down. I was very conscious of trying to let her voice breathe. The elements are more electronic and a lot more concise. There’s not these giant reverb tails, all this melting stuff. It had space carved out for vocals from square one. It was an interesting experiment of, okay, what if we had written a record from scratch together? I think it’d be a lot like this.”
\n\"Weather\"\n\"I wanted some giant, towering, emotive song to finish the album off. I want this period in my life to be about being more prolific and getting more ideas out there. I kind of got stuck into this thing of 'Here’s an album, see you in two years, I’m going on tour.' I didn’t really like that because you disconnect from the process, and by the time you come back, you’ve forgotten how to go about it. I just want to keep putting stuff out. I have all this material, because I spent so much time writing before this record. I have this giant stack of songs that I need to finish. This song is the jumping-off point to what’s next.\"","short":"Tycho talks about his first album with a vocalist: \"I just followed her on her trip.”"},"isCompilation":false,"offers":[{"buyParams":"productType=P&price=9990&salableAdamId=1461523692&pricingParameters=PLUS&pg=default","type":"buy","priceFormatted":"$9.99","price":9.99},{"buyParams":"productType=P&price=0&salableAdamId=1461523692&pricingParameters=SUBS&pg=default","type":"subscription","priceFormatted":"$0.00","price":0}]}},{"id":"679925734","type":"albums","href":"/v1/catalog/us/albums/679925734?l=en-US","attributes":{"artwork":{"width":1400,"height":1400,"url":"https://is2-ssl.mzstatic.com/image/thumb/Music/v4/23/67/14/23671476-5ff2-7d91-2d5a-1c887cf04102/cover.jpg/{w}x{h}bb.{f}","bgColor":"e1cf87","textColor1":"000000","textColor2":"111c1f","textColor3":"2d291b","textColor4":"3a4034"},"artistName":"Tycho","isSingle":false,"url":"https://music.apple.com/us/album/coastal-brake-ep/679925734","isComplete":true,"genreNames":["Electronic","Music","Alternative","Rock","Dance","Downtempo","Industrial"],"trackCount":4,"isMasteredForItunes":false,"releaseDate":"2009-12-08","name":"Coastal Brake - EP","recordLabel":"Ghostly International","editorialArtwork":{},"upc":"804297909028","copyright":"℗ 2009 Ghostly International","playParams":{"id":"679925734","kind":"album"},"isCompilation":false,"offers":[{"buyParams":"productType=P&price=3990&salableAdamId=679925734&pricingParameters=PLUS&pg=default","type":"buy","priceFormatted":"$3.99","price":3.99},{"buyParams":"productType=P&price=0&salableAdamId=679925734&pricingParameters=SUBS&pg=default","type":"subscription","priceFormatted":"$0.00","price":0}]}},{"id":"1063455370","type":"albums","href":"/v1/catalog/us/albums/1063455370?l=en-US","attributes":{"artwork":{"width":1500,"height":1500,"url":"https://is2-ssl.mzstatic.com/image/thumb/Music69/v4/3a/85/b9/3a85b98e-a9b8-eba2-09f3-3ea65c771d50/804297820835.jpg/{w}x{h}bb.{f}","bgColor":"2b3336","textColor1":"f8b58b","textColor2":"f8a2b4","textColor3":"cf9b7a","textColor4":"cf8c9b"},"artistName":"Tycho","isSingle":false,"url":"https://music.apple.com/us/album/awake-deluxe-version/1063455370","isComplete":true,"genreNames":["Electronic","Music","Alternative"],"trackCount":17,"isMasteredForItunes":false,"releaseDate":"2016-01-15","name":"Awake (Deluxe Version)","recordLabel":"Ghostly International","editorialArtwork":{},"upc":"804297820835","copyright":"℗ 2016 Ghostly International","playParams":{"id":"1063455370","kind":"album"},"editorialNotes":{"standard":"Low-lit grooves meet high drama in the swooshing, swirling ambient-ish music of Tycho. 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