Editors’ Notes Lisa Batiashvili is a wonderful violinist, and this fine album of Prokofiev’s two concertos marks another milestone in a career that leaps from mountain peak to mountain peak. She characterizes each work with great insight and style, clearly attuned to the biographical background of this most complex of 20th-century composers. What’s also striking is the range of color and volume with which Batiashvili and Nézet-Séguin invest the music, unusually faithful to the score—the opening of the Second Concerto is done with great imagination and some stunning solo and orchestral playing. Three short Prokofiev pops are delightful extras.

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Romeo and Juliet, Op. 64: No. 13, Dance of the Knights (Arr. for Violin & Orchestra by Tamás Batiashvili)
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Violin Concerto No. 1 in D Major, Op. 19
Violin Concerto No. 1 in D Major, Op. 19: I. Andantino
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Violin Concerto No. 1 in D Major, Op. 19: II. Scherzo. Vivacissimo
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Violin Concerto No. 1 in D Major, Op. 19: III. Moderato
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Cinderella, Op. 87: No. 30, Grand Waltz (Arr. for Violin & Orchestra by Tamás Batiashvili)
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Violin Concerto No. 2 in G Minor, Op. 63
Violin Concerto No. 2 in G Minor, Op. 63: I. Allegro moderato
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Violin Concerto No. 2 in G Minor, Op. 63: II. Andante assai
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Violin Concerto No. 2 in G Minor, Op. 63: III. Allegro, ben marcato
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The Love for Three Oranges, Op. 33: Grand March (Arr. for Violin & Orchestra by Tamás Batiashvili)
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