‎007: Quantum of Solace (Original Motion Picture Soundtrack) by David Arnold on iTunes

24 Songs, 1 Hour 1 Minute

	TITLE		TIME
	Time to Get Out Various Artists		3:28
	The Palio Various Artists		4:59
	Inside Man Various Artists		0:38
	Bond In Haiti Various Artists		0:35
	Somebody Wants to Kill You Various Artists		2:17
	Greene & Camille Various Artists		2:13
	Pursuit At Port au Prince Various Artists		5:58
	No Interest In Dominic Greene Various Artists		2:44
	Night At the Opera Various Artists		3:02
	Restrict Bond's Movements Various Artists		1:31
	Talamone Various Artists		0:34
	What's Keeping You Awake Various Artists		1:40
	Bolivian Taxi Ride Various Artists		0:49
	Field Trip Various Artists		0:41
	Forgive Yourself Various Artists		2:26
	DC3 Various Artists		1:15
	Target Terminated Various Artists		3:53
	Camille's Story Various Artists		3:58
	Oil Fields Various Artists		2:29
	Have You Ever Killed Someone? Various Artists		1:32
	Perla de las Dunas Various Artists		8:07
	The Dead Don't Care About Vengeance Various Artists		1:14
	I Never Left Various Artists		0:40
	Another Way to Die Jack White & Alicia Keys		4:23

4.0 out of 5

141 Ratings

Great!

It's powerhouse thriller score with all the flare you expect from James Bond, yet without any real distinct Bond theme. Arnold delivers more dark cues this time around, and real exotic flavor with "Bond in Haiti," "Bolivian Taxi" and "Talamone." There's also a cool, retro feeling to the theme in "Inside Man" and "The Dead Don't Care about Vengeance." And the action is spot on - longer tracks, high energy, and wide variety.

...and the credits score is where?

Best Bond theme I've heard yet on the closing credits and yet they abstain from including it. Do they think this will help them sell the DVD? Depriving us of David Arnold's best piece does not help your cause J RECORDS and MGM.

David Arnold Leaves you Shaken and Stirred...

Composer David Arnold will leave you breathless with 'Quantum of Solace,' his fifth outing as composer for the Bond series. Not as heavy handed with the Bond theme as in Tomorrow Never Dies nor with his disregard of the title song as in Die Another Day, Arnold has found a fresh, intense and wonderful sound with this new addition to the Bond canon. Following in the style he started with Casino Royale, this soundtrack clearly outweighs his previous score. Arnold has returned to his love of electronic music while adding in global fare and original ideas beyond what he's used in the past. This score is must-have for fans of Casino Royale and die-hard Bond fans alike. John Barry would be proud!