Provoking fear in parents and undying devotion from their children throughout the '90s, Marilyn Manson pushed shock rock to the edge more than any other mainstream artist. “I Don't Like the Drugs (But the Drugs Like Me)” is a textbook example of his knack for grafting depraved industrial beats to seductively throbbing club grooves. Just as spine-tingling is the reimagining of “Sweet Dreams (Are Made of This)”, which spits up lurching, metallic riffs. Delving deeper into atmospheric dread as he's aged, Manson put his uniquely demented stamp on the gothic blues movement with 2014's The Pale Emperor.