With a soft, comforting voice often accompanied solely by his acoustic guitar, Dadado Huang occupies a space somewhere between indie folk sentimentalists like Damien Rice and Brazilian bossa nova. Huang's intent, to "move people's hearts", is served well by his spare, unadorned style. His songs address loneliness, natural paradise, reality versus idealism and the possibility of happiness somewhere beyond civilization. His earnest vocals likewise convey a folk troubadour's commitment to emotional truth.