There are bucketloads of raw and scuzzy aggression stashed in Korn's catalogue. In addition to “Fake”, a grimy dirge recorded before their embrace of high-tech effects, “Beg for Me” eschews technical intricacies for a big, brawny groove that swings like a caveman's club. Even the electronic-tinged “Getting Off” attacks like a pack of stray dogs fighting for scraps.