Staatskapelle Berlin

- Concerto for Violin and Orchestra in D Major, Op. 35, TH 59: II. Canzonetta. Andante
- Tchaikovsky & Sibelius: Violin Concertos · 2016
- Nabucco: Va, pensiero, sull' ali dorate (Chor der Gefangenen Hebräer)
- Beethoven, Mozart, Nicolai, Weber, Flotow & Wagner: German Opera Choruses · 1961
- Otello: Act I - "Fuoco di gioia!"
- Famous Opera Choruses · 1978
- Prelude
- Elgar: The Dream of Gerontius, Op. 38 · 2017
- Martha: Act I - "Mädchen brav und treu"
- Famous Opera Choruses · 2009
- IV. Finale. Allegro molto
- Beethoven: Symphony No. 3, 'Eroica' · 2000
- Concerto for Violin and Orchestra in D Major, Op. 35, TH 59: III. Finale. Allegro vivacissimo
- Tchaikovsky & Sibelius: Violin Concertos · 2016
- Sanctus fortis, Sanctus Deus
- Elgar: The Dream of Gerontius, Op. 38 · 2017
- Cavalleria rusticana: Intermezzo sinfonico
- Mascagni: Cavalleria rusticana, Intermezzo sinfonico - Single · 1927
- Concerto for Violin and Orchestra in D Minor, Op. 47: III. Allegro ma non tanto
- Tchaikovsky & Sibelius: Violin Concertos · 2016

Beethoven: Symphony No. 3, 'Eroica'

Premiered in 1805, Beethoven’s Symphony No. 3, “Eroica” was a game changer. The symphony as a form would never be the same again. Originally dedicated to Napoleon, the work celebrates mankind’s extraordinary power, but when Napoleon had himself crowned emperor, the dedication was scratched out. It’s a huge, ambitious and magnificent creation, massive in scale, culminating in a theme-and-variation finale of shattering power. Daniel Barenboim’s Staatskapelle Berlin recording from 1999 rises powerfully to the symphony’s challenges and—broad in tempo and fully alive to the work’s drama—is a pretty magnificent achievement, drawing impressive playing from this Berlin ensemble.