Skinny-hipped swagger and a sense of danger characterised the Stones' run of '60s singles. Keith's razor-sharp riffs and Mick's mouthy howl fuelled “(I Can't Get No) Satisfaction” and “Jumpin' Jack Flash” alike. They turned down the volume but cranked up the intensity on “Paint It, Black” and “Ruby Tuesday”, while the dystopian wail of “Sympathy for the Devil” went deeper, darker and longer.