Editors' Notes Alexandre Tharaud has always defied categorisation—a rare musician who dazzles equally in J.S. Bach as he does in The Beach Boys, and everything in between. Pieced together from recordings made over 30 years, this collection finds Tharaud steering us on a four-hour journey through some of the piano’s greatest solo works, thrilling and beautiful concerto movements and an array of ravishing discoveries including the charming, post-Impressionist worlds of French composers Paul Le Flem and Jean Wiener. Elsewhere, the variety on display is breathtaking, the programming daring as Tharaud moves seamlessly from Satie to Bach, Fauré to Gershwin, even Morricone to Poulenc. It’s a bold move to place Debussy’s sumptuous “Prélude à l’après-midi d’un faune” after the crispness of Mozart’s “Alla Turca”, for instance, but the contrast is spellbinding—as is every moment of this extraordinary piano treasury.

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Corpus volubilis
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Le chant des genêts
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