There's no shortage of cowboy swagger in Kasabian songs. They're often built from the rhythm section up, in the dirty synths and fuzz bass of “Switchblade Smiles” or the breezeblock euphoria of “bumblebee”. There's funk sweetness in “Butcher Blues”, Kinks-y swing in “Thick As Thieves” and, in “Take Aim”, a siren-packed update of Ennio Morricone, built for urban westerns.