The intermediate link in the chain that began with Los Rápidos and ended with El Último de la Fila synthesises the essence of both chapters, maturing and evolving the former’s raw sound; and anticipating the latter’s baroque and surreal spirit. Fully immersed in the lyrical darkness of contemporaries such as Gabinete Caligari, Los Burros made their recording debut with an album that sails in its own style between electronic pop and a more energetic and guitar-oriented sound, with flashes of flamenco and arabesque influences skilfully set in a certain Gothic expression that was very much in vogue. Songs like “Huesos”, “Portugal”, “Disneylandia” and the ode to masochism that is "Hazme Sufrir" are among the best on an album that works as a minor classic. Credit the resounding compositional talent of Manolo García, who would become one of the greatest figures of Spanish pop.