Editors' Notes There are myriad and unexpected dimensions to Conor Oberst's body of (mostly) folky indie rock. With Gillian Welch's contribution to his own “Lua,” it becomes a stunning, lonesome country song. Somehow he sounds even more vulnerable than Elliott Smith on a sparse cover of “The Biggest Lie.” And his first project, Commander Venus, lays out sneering basement punk on “We'll Always Have Paris.”

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