Fito Páez's formidable contribution to experimental Latin rock spans far and wide. Torreblanca's piano-pounding pop orchestrations and Lisandro Aristimuño's snaring electro-folk invoke his intricate-yet-catchy rock confections, while Alex Anwandter's gut-wrenching, tender balladry and Fratta's moving, syncopated concoctions are on par with both Páez's lyrical and compositional grandness.