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About Charley Pride
With a warm, strong baritone voice and a knack for phrasing that gave his performances a down-home sincerity and believability, Charley Pride was one of country music's biggest success stories in the late '60s through the mid-'80s. Racking up 36 number one country singles and 12 gold albums, Pride was one of Nashville's top record-sellers in his heyday -- for a time, he was second only to Elvis Presley among RCA Records' biggest-selling acts -- and remained a popular live attraction long after his traditional style fell out of favor on country radio. Part of what made Pride's initial success so remarkable was the fact he was the first African-American artist to break through to major stardom in country music. In the mid-'60s through the '70s, a time when race was a hot-button issue in America, Pride demonstrated there was room for black artists on the Nashville hit parade, and in the 21st century he remains the most consistently successful African-American performer in country music.
Pride was born on a cotton farm in Sledge, Mississippi, where his father was a sharecropper. When he was 14 years old, Charley bought a guitar from Sears Roebuck and taught himself to play by listening to country music on the radio. Two years later, he turned his attention to baseball. Pride signed on to play with the Memphis Red Sox, a team in the Negro American League. After playing ball for two years, Pride joined the U.S. Army, where he served for two years. Upon his discharge, he intended to return to baseball, but he sustained injuries that affected his throwing arm. Discouraged that he couldn't qualify for the major leagues, Pride worked construction in Helena, Montana, while still playing in the minors. Eventually, he earned a tryout for the California Angels in 1961, but they turned him down; the following year, the New York Mets rejected him as well.
With his career in baseball seemingly over, Pride turned his attention to music, and in 1963 he sang "Lovesick Blues" for Red Foley and Red Sovine backstage at one of Sovine's concerts. The veteran musicians were impressed and told Charley he should go to Nashville. Heeding their advice, he traveled to Music City, but couldn't break into the industry. However, both of the Reds and Webb Pierce kept recommending the fledgling singer to their associates, and eventually helped him secure a management deal with Jack Johnson. Through Johnson, Pride met producer Jack Clement, who sent a demo tape of Pride's to Chet Atkins at RCA, who signed the vocalist in 1966. Later that year, Pride's debut single, "The Snakes Crawl at Night," was released but was issued without a publicity photograph, since the label was uncertain if radio programmers would support a black country singer. Both "The Snakes Crawl at Night" and his second single, "Before I Met You," gained a small audience, but it wasn't until "Just Between You and Me" that Charley became a star. Released at the end of 1966, "Just Between You and Me" climbed to number nine and began a virtually uninterrupted streak of Top Ten singles that ran until 1984; out of his 54 singles released during those 18 years, only three failed to crack the Top Ten.
Though he was praised upon the release of "Just Between You and Me" and won a Grammy Award for the single, there remained resistance in certain quarters of the country audience to a black performer. Nevertheless, the consistent quality of Pride's music and the support from his fellow musicians helped open doors for him. On January 7, 1967, he became the first black artist to perform on the Grand Ole Opry since DeFord Bailey in 1925. Over the next two years, his star steadily rose, and between 1969 and 1971 he had six straight number one singles: "All I Have to Offer You (Is Me)," "I'm So Afraid of Losing You Again," "(Is Anybody Going To) San Antone," "Wonder Could I Live There Anymore," "I Can't Believe That You've Stopped Loving Me," and "I'd Rather Love You." All of those singles also charted in the lower regions of the pop charts, giving evidence of his smooth country-pop crossover appeal. "Let Me Live," taken from his gospel album Did You Think to Pray?, temporarily broke his streak of number one singles in the spring of 1971, but it won a Grammy for Best Gospel Performance. Directly after "Let Me Live," two of his biggest hits -- "I'm Just Me" and "Kiss an Angel Good Mornin'" -- arrived, earning him his greatest success on both the country and pop charts.
Throughout the '70s, Pride continued to chart in the upper regions of the country charts, earning number one singles like "It's Gonna Take a Little Bit Longer" (1972), "She's Too Good to Be True" (1972), "A Shoulder to Cry On" (1973), "Then Who Am I" (1975), "She's Just an Old Love Turned Memory" (1977), and "Where Do I Put Her Memory." During this time, he remained loyal to his country-pop style, though he promoted new performers and songwriters like Ronnie Milsap, Gary Stewart, and Kris Kristofferson. Pride's success continued during the first half of the '80s, as he continued to have number one hits like "Honky Tonk Blues" (1980), "Mountain of Love" (1982), "You're So Good When You're Bad" (1982), and "Night Games" (1983). During 1984 and 1985, however, he grew frustrated with RCA Records, who began to promote newer artists at the expense of veteran performers like Pride himself. He left the label at the end of 1986, signing with Opryland's 16th Avenue label, where he returned to working with his old producer, Jerry Bradley.
Pride had a number of minor hits for the label, highlighted by 1988's number five "Shouldn't It Be Easier Than This," before the company went under. Pride moved on to Honest Entertainment in the early '90s, where he released My 6 Latest & 6 Greatest, featuring duets with the likes of Marty Stuart and Travis Tritt. Though he wasn't heard as often on the radio, Pride continued to be a popular concert attraction. On each of his shows, he was supported by his son Dion Pride, who played lead guitar. In 1994, Pride was given the Academy of Country Music's Pioneer Award. While staying busy as a live act, Pride continued to record occasionally in the 21st century, releasing Choices in 2011 and Music in My Heart in 2017. ~ David Vinopal
- 18 Mar 1934
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