Explore the varied career of internationally renowned British Soprano Mary Bevan as she seamlessly moves between opera, baroque, and song recital.
Les Illuminations, Op. 18: VII. Being beauteous
Les Illuminations, Op. 18: IX. Départ
Chanson perpétuelle, Op. 37
3 Songs, Op. 5: No. 1, Chant d’automne
Quatre mélodies de Verlaine, L. 85 (Arr. for Soprano and Piano Quintet by Robin Holloway): II. Mandoline
Sérénades (Version for Voice & Piano Quintet): I. Sérénade printanière
9 German Arias: Süße Stille, sanfte Quelle, HWV 205
Vier Gesänge, Op. 43: II. Die Mainacht
Liederkreis, Op. 39: No. 5, Mondnacht
12 Gedichte aus "Liebesfrühling", Op. 37: No. 4, Liebst du um Schönheit
Der Schwalben Heimkehr
Lob der Tränen, Op. 13, No. 2, D. 711
Ein feste Burg ist unser Gott, BWV 80: IV. Aria "Komm in mein Herzenshaus" (soprano)
The Unquiet Grave "How Cold the Wind Doth Blow" (Arr. for Voice, Violin & Piano)
Folk Songs of England, Book 5 "From Sussex" (Ed. C. Sharp): No. 8, Farewell, Lads
9 English Folk Songs from the Southern Appalachian Mountains (Ed. C. Sharp): No. 4, The Lovers' Tasks
A Selection of Collected Folk Songs, Vol. 1 (Excerpts Ed. C. Sharp): No. 9, Farmyard Song
I Caught the Changes of the Year, Op. 45
Artaserse: Mi credi spietata?
Agrippina, HWV 6: Bel Piacere
Poichè giuraro Amore in G Minor, HWV 148: Poichè giuraro Amore
Samson, HWV 57, Act 1 Scene 1: III. Ye Men of Gaza (Air)
Saul, HWV 53: No. 21, Already See the Daughters of the Land (Live)
The Triumph of Time & Truth, HWV 71: Too Rigid The Reproof You Give
Fünf Lieder, Op. 105: I. Wie Melodien zieht es mir