Rostock rapper Marteria brings sly humour to sincere subject matter. While “Endboss” transposes the march of time onto visions of robot ducks and self-deprecating digs, “Das Geld muss weg” cushions its rage against capitalist corruption in a feel-good confection of radio-ready pop. Indeed, there are glimmers of soulful to be found throughout the glittering swirl of Marteria’s contrary wordplay. Production trio The Krauts craft a psychedelic soundscape offset by the rapper’s distorted rhymes, and their futuristic packaging is the perfect vehicle for his lyrical genius.