Ministry's late-'80s collision of industrial and metal spawned a new breed of dark ragers. Nine Inch Nails wrap the band's shrieking synths in big alt-rock hooks (“Wish”), while Marilyn Manson smother shock rock in Al Jourgensen–style menacing horror (“The Beautiful People”). But the darkest interpretation comes from Fear Factory, whose “Zero Signal” pumps Ministry's jagged attack full of thrashy speed and vileness.