Editors' Notes Between its reimagining of blues drone, avant-garde distortion and doo-wop transcendence into a blueprint for all things punk, goth and shoegaze, The Velvet Underground’s banana-adorned debut invented the future—way back in 1967. The fact that songs like “I’m Waiting for the Man”, “Venus In Furs” and “Heroin” dared to tread uncharted drugs-and-kinky-sex backstreets helped too. Moe Tucker’s drumming is as deadpan as Lou Reed’s vocals, John Cale’s electric viola is straight-up haunting and Nico, on “All Tomorrow’s Parties” and “Femme Fatale”, plays the ice queen to end all ice queens.

SONG
Sunday Morning (Stereo Version)
1
2:55
 
I'm Waiting for the Man (Stereo Version)
2
4:39
 
Femme Fatale (Stereo Version)
3
2:38
 
Venus In Furs (Stereo Version)
4
5:12
 
Run Run Run (Stereo Version)
5
4:22
 
All Tomorrow's Parties (Stereo Version)
6
5:59
 
Heroin (Stereo Version)
7
7:13
 
There She Goes Again (Stereo Version)
8
2:41
 
I'll Be Your Mirror (Stereo Version)
9
2:14
 
Black Angel's Death Song (Stereo Version)
10
3:12
 
European Son (Stereo Version)
11
7:47
 

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