Ariel Rot's unflinching rock ‘n' roll draws liberally from The Rolling Stones' captivating swagger, as witnessed in his sneering display of guitar-shredding; you can hear Dylan's indelible, literary hymns—and harmonica galore—in Rot's poetic confessions, like “Cenizas en el Aire.” Meanwhile, Django Reinhardt's experimental riffage gave the Argentinian rock star the recipe for crafting some gripping, jazz-inflected fret-work.