No one made dub reggae as delectably dank or as trippy as Lee “Scratch” Perry did in the ‘70s. Who else could make the wordless howls of “Blackboard Jungle Dub” sound anthemic, or pull off wiping Bob Marley entirely from “Reaction” while still making its woodpecking percussion work? Perry's recordings practically ooze with humidity, as on funky cuts like “Curly Dub” that balance low-hanging brass notes with fluttering woodwinds.