No one would dare argue against the assertion that Ennio Morricone's film scores cast an immeasurable shadow on the music of cinema (and beyond). The ethereal horror of his synth-laced music for The Thing can be heard in Badalamenti's iconic theme from Twin Peaks and Goblin's dread-inducing Suspiria, while Morricone's spacious, adventurous Western themes have certainly infiltrated Scott Walker (“The Seventh Seal”) and Labradford (“S”).