With an unquenchable yen for creative expression, Suzanne Vega has always been eager to dabble in a range of genres and styles—though she remains true to the incisively detailed stories at the core of her compositions. She's as comfortable with syncopated spoken word (“Fat Man and Dancing Girl”) as she is with lilting, jangly folk-pop (“Men in a War”) or plangent, atmospheric New Wave (“Calypso”).