Jorane's striking 1999 debut, Vent fou, heralded the arrival of a fierce new force in modern Québécois music, one that could seamlessly meld intense alt-rock atmosphere and a bewitching, operatic voice with spine-tingling cello strokes. That capacity for classically informed, avant-pop experimentation has served Jorane well through her prolific career, manifesting itself in the clanging, industrialised rhythms of 2007's Vers à soi and the serene tunes of 2012's Une sorcière comme les autres, among other works.