The shimmering pop melodies that are found in Hannah Georgas' acrobatic singing style are a strong contrast to the folky ambience of her 2009 debut, The Beat Stuff. Her arrangements quickly caught up to her intricate vocals, becoming louder and full of blissful electronic elements. The result is sugary alt-pop like the frenetic, pulsing earworm “Dancefloor.” She eventually waded into even more ambitious territory with the darker drive of her self-titled album's “Robotic” and For Evelyn's dense atmospheres. These are her must-hear tunes, from moody synth-pop to bouncy indie treasures.