12 Songs, 40 Minutes

EDITORS’ NOTES

Everything is in its right place on Ariane Moffatt's third album, a perfectly balanced compendium of the Quebec songbird's finest attributes. There's dreamy synth-pop, featherweight folk, swanky reggae, wistful balladry, brooding rock, and edgy electro. Holding it all together is Moffatt's enchanting voice, which stretches from breathy languor to soulful swagger. Here is an artist at the top of her game, playing freely with the toys at her disposal with her heart proudly pinned to her sleeve.

EDITORS’ NOTES

Everything is in its right place on Ariane Moffatt's third album, a perfectly balanced compendium of the Quebec songbird's finest attributes. There's dreamy synth-pop, featherweight folk, swanky reggae, wistful balladry, brooding rock, and edgy electro. Holding it all together is Moffatt's enchanting voice, which stretches from breathy languor to soulful swagger. Here is an artist at the top of her game, playing freely with the toys at her disposal with her heart proudly pinned to her sleeve.

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