Since the early 2000s, Clint Daniels has earned Nashville’s attention with his knack for updating classic country styles and subjects. He’s probably best known for penning brokenhearted tear-in-your-beer killers, like George Strait’s stark “Ready for the End of the World” and the bittersweet Jon Pardi hit “She Ain’t In It”. But when he’s in the mood, Daniels can write a roof-raiser too, like Kevin Fowler’s good-time honky-tonker “Neon” and Joe Nichols’ rowdy “Comin’ Back In a Cadillac”.