Only special artists drew praise from a legend like David Bowie, but in 1996 he lauded Ozark Henry's debut solo album. The restlessly inventive Belgian musician's widescreen sound has his whispered, sometimes keening, voice at its core, but fearlessly explores atmospheric rock, uplifting pop and electronic experimentation with consistently arresting results. 2001's Birthmarks went platinum, while the lush orchestral moods on 2015's Paramount yielded dramatic, often flat-out beautiful results, especially in reworking a Starman classic on “We Can Be Heroes”.