Lurking in The Boss' mountain of album cuts, B-sides and rarities are some of his hardest rockers. On the punky “Roulette”, he sounds like a fugitive on the run as guitars crash about his frantic cry, while “Open All Night” is echo-smeared rockabilly that hiccups uncontrollably like an old record, and the original “Born In the U.S.A.” is a big, howling anti-war folk rocker dripping with alienation.