In the ‘50s, this pop-jazz singer cut more winning tunes than labels could keep up with. The Latin-influenced groove of “Relax Max”—arranged by Quincy Jones—showed her skill at different styles, but when her vocals touch on blues growls and pop insouciance, they're easy to recognise as prime Dinah. Sardonic yarns like “Richest Guy In the Graveyard” reflect her core playfulness.