The innovative chamber pop of the Beatles' “Eleanor Rigby” and Sufjan Stevens' delicately playful “The Avalanche” mingle in the melodic DNA of the violin and cello lines of Blaumut, the Catalonian folk-pop quartet. The lush orchestration of Italian pop maestro Franco Battiato's “L'Ombra Della Luce” (The Shadow of Light) echoes in Blaumut's own arrangements—but so does Oasis' stately, string-driven “Whatever".