- Rodgers: Victory at Sea, Vol. 1 · 2012
- Battle Cry of Freedom · 1962
- Romantic Moments - EP · 2020
- Morning Glory · 2022
- Chausson, Vivaldi & Others: Works with Violin · 2021
- Romantic Moments - EP · 2020
- Romantic Moments - EP · 2020
- Romantic Moments - EP · 2020
- Romantic Moments - EP · 2020
- Romantic Moments - EP · 2020
- Up in Central Park (From the Musical ''Up in Central Park'') - EP · 2020
- Up in Central Park (From the Musical ''Up in Central Park'') - EP · 2020
- Up in Central Park (From the Musical ''Up in Central Park'') - EP · 2020
Essential Albums
- Released in 1957, the soundtrack for Cinderella marked a new kind of project for Rodgers & Hammerstein: Not only was it the first time they’d written expressly for television—rather than adapting a show from the stage—it was the first time Richard Rodgers and Oscar Hammerstein II were working with such well-known source material. The novelty provided a challenge: The duo needed the story to remain recognisable for kids, while also offering enough depth for parents to be interested. And, in certain ways, the two Broadway legends were more conscious of the immediacy of their music than ever before: After all, a show might get a season to prove itself—but a TV special only runs once. The show was conceived in part as a spotlight for the young British actress Julie Andrews, who had recently made her name in the US acting opposite Rex Harrison in the hit Broadway musical My Fair Lady. Andrews’ famously sunny disposition imbued Cinderella with a sense of persistence and almost transcendent optimism in the face of steep odds (“In My Own Little Corner”, “Impossible; It’s Possible”). The broadcast was reportedly seen by 107 million people—at the time, an astonishing 60% of the US population. Rodgers & Hammerstein later noted the same audience for a stage production would’ve meant selling out eight nights a week for 140 years—a tough prospect, even for a Fairy Godmother.
- 2021
Singles & EPs
Compilations
- 2007
About Robert Russell Bennett
Bennett studied with Busch in Kansas City and with Boulanger in Paris. He composed a wide variety of music, including several symphonies and orchestral works, music for chamber groups and wind bands, two operas and a ballet-opera. However, Bennett's recognition stems from his work in orchestration. This career started with a commission in 1919 by the publishers T.B. Harms to orchestrate songs for the theatre. One of his earliest efforts was Cole Porter's An Old Fashioned Garden (1919). He went on to become the leading orchestrator for Broadway musicals from the 1920s to the 60s. He scored some 300 productions, including the works of Kern, Gershwin, Berlin, Rodgers and Lowe. His efforts established criteria for other orchestrators to follow, and elevated the status of the orchestrator to equal to that of the authors and composers. Instrumentally Speaking (Melville, NY, 1975), is the title of his book on orchestration. ~ Lynn Vought
- HOMETOWN
- Kansas City, MO, United States
- BORN
- 15. Juni 1894
- GENRE
- Classical